>>Well, the Master managed floating, both himself and others, in front of witnesses. The fight with the Geisters and Andronicus didn't seem to be "in the Matrix".<<
No argument with that. But Colette went straight from:
1) "can't see her legs because of the cables" to no cables whatsoever, not even the one connected to her throat, and no sign of a PLUG for said throat cable (and just as an analogous aside, remember that Neo's ports disappeared and his hair grew back when he was in the Matrix, because self-image);
2) fully costumed to incompletely reassembling something that vaguely looks like the dress she was wearing;
3) full backgrounds (which we also saw with Voltaire's scenes) to nothing but a purple background -- no streets, no buildings, no stars in the sky, nothing -- at the exact same time the street-based noisemakers STOPPED.
I submit for consideration the notion that Beausoleil now lives in the matrix of Paris and that NONE of the automatons he has used is his body, that he is one of the entities she detected in the matrix and about which she tried to warn her father, and that she has now decided to confront him in his "lair," if you will, and permanently oust him therefrom. Having now destroyed all of the escape routes he might otherwise have had, and in such a way that HE KNOWS SHE DID.
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timeasmymeasure
Re: Comment from my off-Lair friend...
Date: 2017-06-19 12:48 am (UTC)>>Well, the Master managed floating, both himself and others, in front of witnesses. The fight with the Geisters and Andronicus didn't seem to be "in the Matrix".<<
No argument with that. But Colette went straight from:
1) "can't see her legs because of the cables" to no cables whatsoever, not even the one connected to her throat, and no sign of a PLUG for said throat cable (and just as an analogous aside, remember that Neo's ports disappeared and his hair grew back when he was in the Matrix, because self-image);
2) fully costumed to incompletely reassembling something that vaguely looks like the dress she was wearing;
3) full backgrounds (which we also saw with Voltaire's scenes) to nothing but a purple background -- no streets, no buildings, no stars in the sky, nothing -- at the exact same time the street-based noisemakers STOPPED.
I submit for consideration the notion that Beausoleil now lives in the matrix of Paris and that NONE of the automatons he has used is his body, that he is one of the entities she detected in the matrix and about which she tried to warn her father, and that she has now decided to confront him in his "lair," if you will, and permanently oust him therefrom. Having now destroyed all of the escape routes he might otherwise have had, and in such a way that HE KNOWS SHE DID.
What comes next should be interesting...